The Funeral Disruptor
The funeral disruptor was at it again. Driving his car through the All Saints Cemetery Saturday morning with the windows down, blasting Gangster’s Paradise. The small groups of people in black gathered around rectangular holes were collectively aghast. He stopped his car at the biggest gathering. He put his sunglasses on and leapt into the grave. Laertes come hither! he shouts, brandishing a broken off broomstick. No one finds it amusing. Hearse rhymes with curse, he shouts. He zig zags evasive maneuvers around a couple of beefy pall bearers and makes his way to his bass thumping car. He does this every weekend. He claps his hands, he speaks out of turn. He slams the heavy old doors of cathedrals. Why do you do this, an exhausted priest once asked. The funeral disruptor just smiles. He leans in and whispers something in the priest’s ear. The priest’s face lights up in sudden recognition. From then on they become partners. They go in halfsies on a souped up hearse with tinted windows and high end stereo woofers. Half the time it’s Gangster’s Paradise blasting from the speakers, the other half Mozart’s Requiem. Sometimes the priest is Hamlet, sometimes Laertes. They take turns.