The Story of Us
Everyone has their own idea
On the best way to die.
Not too young or old
Not too demented.
Preferably not alone.
There is a certain segment of the male cohort
Who envision a late in life myocardial infarction
Halfway through the conjugal act with a much younger consort.
The sentimentalists prefer a soft bed
Numbed to the bone with morphine while
Gazing into the eyes of everyone they love.
Then there are the hot air balloon enthusiasts
Who prefer to drift out over the continental shelf
And watch the stars as the flame slowly dims out.
Romantic novelists pine for something that ends
With two broken hearts— the one who dies
And the one condemned to live.
For me, I just want to be reading
When the final moment comes
Crashing down, hopefully mid-
Sentence in a banger of a passage
From Molly Bloom or David Foster Wallace,
Or while I’m staring off in reverie,
As I often do, when a certain line
In a banger of a poem really hits.
Death, I’m sure, would have some fun with it—
Wait until I was thoroughly engrossed and then
Dim the shades just before the killer
Was revealed at the end of the Victorian mystery.
Or whisk me off to Valhalla right before love
Was finally requited in a dogeared Swedish romance.
Or worse, drop the hammer halfway through some
Post-modernist dreck just as the protagonist—
Billy Pumpkin or Rendezvous Jack, probably—
Was intoning the last rites over a minor character,
Soon to be corpse, named jeffrey parks in yet
Another self-referential run-on sentence monologue
Sorely lacking in guidepost punctuation.
But if I was reading from the Story of Us
I’d like to think Death would exercise
A little patience…. even kindness.
He’d let me finish.
And when I got to the end
Of everything I’d written
He’d lean in close and quietly
Ask if I’d like to write one last line.
I’d think for a moment, finding the words,
And then when I reached for the pen
The ornery son of a gun would grin
And darkness would swiftly descend.